PRESS | PUBLICATIONS
Sawdust
A Brush Stroke for Every Untold Story
By Christine Broussard | May, 2024
Glasstire
New Works in the Fort Worth Iteration of "Soy de Tejas
By Jessica Fuentes | May 25, 2024
New York Times
Women Artists Are Catching Up, but Equality Will Still Take a While
By Eilene Zimmerman | Apr. 27, 2024
CHARM East Texas
Discussions by Design: Arely Morales
By Kayley Smith | Jun.30, 2023
KTRE
Nacogdoches artist to be featured in Washington D.C. 'Women to Watch' exhibition
By Mariela Gonzalez | Jun.26, 2023
GLASSTIRE
"Soy de Tejas" Exhibition Connects LAtinx Artists Across the State
By Jessica Fuentes | March 5, 2023
TEXAS HIGHWAYS
Latinx Artists Explore What It Means to Be from Texas in San Antonio Exhibition 'Soy de Tejas'
By Cat Cardenas | March 4, 2023
TEXAS MONTHLY
In San Antonio, a Road Map for the Future of Texas Art
By Michael Agresta | February 28, 2023
GLASSTIRE
This and That: Sedrick Huckaby and Arely Morales
By Caleb Bell | September 26, 2022
GLASSTIRE
Dallas Museum of Art Acquires Works by Eight Texas Artists
By Jessica Fuentes | January 15, 2022
THE DALLAS MORNING NEWS
Two Dallas art exhibitions humanize immigration controversies
By Scott Cantrell | April 21, 2021
COLUMNS The University of Washington Alumni Magazine
MFA painter Arely Morales brings laborers into the limelight
By Andrea Otanez | OCTOBER 19, 2017
UW NEWS
Abstraction, family memories - even a touch of voodoo - highlight annual graduate show at Henry Art Gallery
By Peter Kelley | JUNE 13, 2017
CITY ARTS
Extra Credit
By Margo Vansynghel | JUNE 23, 2017
MFA THESIS WORK
Univeristy of Washington | 2017
EXHIBITION CATALOGUES
DISPLACED
Arely Morales & Shaun Roberts
By Susie Kalil | MAY 2019
Kirk Hopper Fine Art